![]() Playing Crash Bandicoot after the much more open Mario 64 felt like having to rigidly colour in between the lines when I’d rather just splash paint over everything. Having played through the genre-defining Mario 64, Crash Bandicoot turned me into Shania Twain it didn’t impress me much. ![]() In the 90s, I was firmly in the Mario camp. Sane Trilogy collection of remasters ably demonstrated that there was still a public appetite for the bounding bandicoot, who spent most of his life as Sony’s answer to the mustachioed face of Nintendo. Of course, this generation’s Crash Bandicoot N. Mario’s enduring legacy aside, they’re such a relic of the 90s that playing Crash Bandicoot 4 makes me feel like I’ve tripped into some sort of interdimensional vortex. It feels weird to play a brand-new mascot platformer in 2020.
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